Charles Wilson Peale, American 1741-1827
The Artist in His Museum (self-portrait, 1822)
Pennsylvania Academy of Fine Arts, Philadelphia
I first heard of Peale, his museum and the term “Cabinet of Curiosities” while attending museum education classes at the University of North Texas in 2001. I was intrigued by this concept of a collection of art and natural objects of which the owner invites viewers to make what associations they may among seemingly unrelated items. This may have been when I acquired this post card that has been in my box of assorted papers for a while.
I didn’t think much more of it until this past spring while attending a lecture on James Audubon when the lecturer showed this exact same photo to us. And I thought, “that’s what my next piece will be…my own little “cabinet of curiosities.”
I started collecting objects specifically for this project. My only purchase was the beaver skull, which I bought in Ouray, Colorado. I had all the little protective cases that were given to me by my friend Miriam.
Other items include a dead bee I found in a stone cabin in northern Idaho. A dead scorpion I found at my fathers memorial service. A piece of Amber (fossilized tree resin) given to me by my sister) A “skeleton” of a leaf found on a hike in Eugene, Oregon, a stone from New Zealand given to me by my friends Kimberley and Bruce, and wood and pine needles and wasp nests found in my own back yard.
I was going to put everything in a small curio cabinet I have with a glass door but it looked too new. Then I tried this old handmade wooden box, I liked it and decided to mimic the drapery in the post card and add the tassel to the bottom making it into a hanging piece instead of one that sits on a table.
So if someone had to ask me how long did this take you to make I would have to say it took 10 years from inception to completion.




tory, now it is a Zen like experience. One of the installations was indeed, once again Donald Judd...I feel as if I am following him posthumously across the United States, first in West Texas at the Chinati Foundation, then in Saint Louis at the Laumier Sculpture Gardens and now here on the East Coast... an artist I don't remember ever hearing of before this trip but empty cubes, of concrete, steel and plywood continue to lead me on my travels.











